The Bluebird ZPS preamplifier is a wide bandwidth
(~1.2 MHz), Zero Phase Shift DC coupled amplifier. Actual phase
shift at 20 kHz, referenced to DC, is less than 40 micro degree
(0.00004° ), compared to 30° for an amplifier with a -3
dB bandwidth of 50 kHz and 0.2° for a 6 MHz (@-3 dB) amplifier.
Similarly, frequency response is +2 mdB (0.002 dB) @ 20 kHz, compared
to -0.3 dB and -0.04 mdB for 50 kHz and 6 MHz amplifiers respectively.
The corresponding total distortion is thus 50 to 400 times smaller
than for conventional medium to narrow bandwidth audio amplifiers
and three times smaller than for a wideband 6 MHz amplifier. Only
a 20 MHz amplifier has similar total distortion characteristics.
Although a 20 MHz amplifier would have similar total distortion
as a ZPS preamplifier, it would not sound anything like it. For
a 20 MHz amplifier all the distortion is due to phase shift, whereas
for the Bluebird ZPS, it is all due to amplitude response. The fact
that phase distortion is a lot more noticeable than amplitude distortion
explains the difference in sound.
The distortions listed above refer only to the amplifier section.
Switches, volume controls, internal cabling, ... can increase the
distortion by significant amounts. Though these distortions are
small and add little to the already large distortion of the 50 kHz
amplifier, adding these numbers to a ZPS or a 6 MHz amplifier can
easily increase the total distortion by an order of magnitude at
20 kHz. Note, however, that since these added distortions are mostly
due to phase shift, their audible effects would be significantly
more pronounced for an amplifier with no phase distortion, than
for one with no amplitude distortion. The careful selection of connectors,
switches, and wiring insures that the added phase distortion from
these component will be negligible at all audible frequencies The
volume control thus remains the only significant source of added
distortion for the Bluebird ZPS. In spite of the added phase distortion
due to the volume control, the Bluebird ZPS preamplifier has less
distortion from input to output than the amplifier section alone
of most wideband preamplifiers! When the phase distortion due to
switches, input connectors, cabling, etc. is added to these other
designs, the total distortion of the Bluebird ZPS is orders of magnitude
less than the phase distortion alone of all competing designs.
Thus, the Bluebird ZPS preamplifier offers vastly better definition,
detail, timbre, dynamics, image (specificity and size) than any
other preamplifier.The Bluebird ZPS preamplifier is a wide bandwidth
(~1.2 MHz), Zero Phase Shift DC coupled amplifier. Actual phase
shift at 20 kHz, referenced to DC, is less than 40 micro degree
(0.00004° ), compared to 30° for an amplifier with a -3
dB bandwidth of 50 kHz and 0.2° for a 6 MHz (@-3 dB) amplifier.
Similarly, frequency response is +2 mdB (0.002 dB) @ 20 kHz, compared
to -0.3 dB and -0.04 mdB for 50 kHz and 6 MHz amplifiers respectively.
The corresponding total distortion is thus 50 to 400 times smaller
than for conventional medium to narrow bandwidth audio amplifiers
and three times smaller than for a wideband 6 MHz amplifier. Only
a 20 MHz amplifier has similar total distortion characteristics.
Although a 20 MHz amplifier would have similar total distortion
as a ZPS preamplifier, it would not sound anything like it. For
a 20 MHz amplifier all the distortion is due to phase shift, whereas
for the Bluebird ZPS, it is all due to amplitude response. The fact
that phase distortion is a lot more noticeable than amplitude distortion
explains the difference in sound.
The distortions listed above refer only to the amplifier section.
Switches, volume controls, internal cabling, ... can increase the
distortion by significant amounts. Though these distortions are
small and add little to the already large distortion of the 50 kHz
amplifier, adding these numbers to a ZPS or a 6 MHz amplifier can
easily increase the total distortion by an order of magnitude at
20 kHz. Note, however, that since these added distortions are mostly
due to phase shift, their audible effects would be significantly
more pronounced for an amplifier with no phase distortion, than
for one with no amplitude distortion. The careful selection of connectors,
switches, and wiring insures that the added phase distortion from
these component will be negligible at all audible frequencies The
volume control thus remains the only significant source of added
distortion for the Bluebird ZPS. In spite of the added phase distortion
due to the volume control, the Bluebird ZPS preamplifier has less
distortion from input to output than the amplifier section alone
of most wideband preamplifiers! When the phase distortion due to
switches, input connectors, cabling, etc. is added to these other
designs, the total distortion of the Bluebird ZPS is orders of magnitude
less than the phase distortion alone of all competing designs.
Thus, the Bluebird ZPS preamplifier offers vastly better definition,
detail, timbre, dynamics, image (specificity and size) than any
other preamplifier.
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